Albert Nelson (April 25, 1923 – December 21, 1992), known by his stage name Albert King, was an American blues guitarist and singer whose playing influenced many others He is one of the three performers (together with B.B. King and Freddie King) known as the "Kings of the Blues."
Albert King was born in Indianola, Mississippi, the same town where B.B. King grew up. However, on his Social Security application in 1942, his birthplace was entered as “Aboden, Miss.,” likely based on his pronunciation of Aberdeen. King, who gave his birth date as April 25, 1923, was raised primarily in Arkansas. As a child, he sang with his family’s gospel group at a church where his father played the guitar. When King was eight, his family moved to Forrest City, Arkansas and he would pick cotton on plantations in the area. Around that same time, King bought his first guitar, paying only $1.25. His first inspiration was T-Bone Walker.
The electric guitar quickly became King’s primary instrument; his preferred instrument being “Lucy” a Gibson Flying V that he played left-handed, holding it upside down and tuning it for a right-handed player. Standing 6′ 4″, and weighed 260 pounds, known as “The Velvet Bulldozer”, he was a major influence on blues & rock guitar players, some say without him, modern guitar music would
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not sound as it does, his style has influenced both black and white blues players from Otis Rush and Robert Cray to Gary Moore and Stevie Ray Vaughan.
not sound as it does, his style has influenced both black and white blues players from Otis Rush and Robert Cray to Gary Moore and Stevie Ray Vaughan.In 1956, King returned to St. Louis and formed a new band. He resumed recording in 1959 and scored his first minor hit, “I’m a Lonely Man.” The song was written by Little Milton, who was an A&R man for Bobbin Records, the label that released the record. King recorded for several other small labels during this period, including King Records. In 1961, he scored his first major hit, “Don’t Throw Your Love on Me Too Strong,” which reached Number 14 on the R&B chart.
King’s real breakthrough came in 1966, when he moved to Memphis and signed with Stax Records. Working with producer Al Jackson Jr. and backed by Booker T. and the M.G.’s, King recorded such classics as “Crosscut Saw” and “As the Years Go Passing By.” In 1967, Stax released Born Under a Bad Sign.
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The title track became King’s best-known song and has been covered by many artists, including Cream, even though they titled it “Strange Brew”. (Clapton’s solo is a note-for-note cover of King’s solo on his Stax Record hit “Crosscut Saw”). King played many shows at promoter Bill Graham’s Fillmore East and the Fillmore West venues. One show was recorded and released as the album Live Wire/Blues Power.
In 1969, King performed live with the St. Louis Symphony Orchestra, forming what was called an “87-piece blues band.” During the early Seventies, he recorded the album Lovejoy with a group of white rock singers and an Elvis Presley tribute album, Albert King Does the King’s Things. By 1970s, Albert King was releasing one album a year. His albums were steady sellers, consistently entering the US Billboard 200 and the US R&B Charts. King continued to tour throughout the Seventies, and in June 1970, he joined the Doors onstage at a show in Vancouver, Canada.
During the Eighties, King received considerable praise from many young blues guitarists, most notably Stevie Ray Vaughan. The two appeared together on the Canadian television show In Session in December 1983, a performance that was issued on CD in 1993. One British writer described Vaughan as a “young Texan who apparently believes that Albert King is God and the Lord should be praised regularly.”
(Edited mainly from rockandrollparadise.com)