Claude & Cliff Trenier (14 July 1919 - 17 November 2003 & 2 March 1983) were identical twins who led the American R&B and jump blues musical group The Treniers. They were originally billed as The Trenier Twins, who performed alongside the Gene Gilbeaux Quartet, but shortened their name to The Treniers when Gilbeaux and other musicians became integral members of the group.
The Treniers were an American R&B group who formed a bridge between swing and rock n roll. All told, there were 10 Trenier children, most of whom play or played with the act at one time or another, but the major players were the identical twins Claude (b. 14 July 1919, Mobile, Alabama, USA, d. 2 March 1983) and Cliff (b. 14 July 1919, Mobile, Alabama, USA, d. 17 November 2003, Las Vegas, Nevada, USA), Buddy, and 10th-born Milt. The twin brothers Claude and Cliff Trenier were the nucleus of the group. Not only were they good vocalists, but talented dancers and comedians as well. This made the Treniers basically a live act. Entering a studio, much of the fire and madness died, which probably explains why the group failed to
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make an impact on the charts. Claude and Cliff formed their first band, the Alabama State Collegians, in college in 1939. Claude left in 1943 to replace Dan Grissom as lead singer with Jimmie Lunceford's swing orchestra and Cliff joined him the following year.
The brothers went solo in 1947, calling themselves the Trenier Twins. They were backed by the Gene Gilbeaux Quartet, which included two members that would serve the Treniers for decades : Gene Gilbeaux on piano and Don Hill on alto sax. The Trenier Twins signed with Chicago's fledgling Mercury label and cut
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their first session for the firm in L.A. in February of 1947 ("Buzz Buzz Buzz"/"Sure Had A Wonderful Time"). Soon they built up a fast-growing reputation as a stunning live act. It was the owner of a Chicago jazz club, the Blue Note, who first thought to bill them as "The Rockin' Rollin' Treniers" in the summer of 1949, not long after their older brother Buddy (born 1913) had joined them.
their first session for the firm in L.A. in February of 1947 ("Buzz Buzz Buzz"/"Sure Had A Wonderful Time"). Soon they built up a fast-growing reputation as a stunning live act. It was the owner of a Chicago jazz club, the Blue Note, who first thought to bill them as "The Rockin' Rollin' Treniers" in the summer of 1949, not long after their older brother Buddy (born 1913) had joined them.
Also, their on stage acrobatics were seen as precursors to the wild antics of many later rock n roll groups. The Treniers' brand of swing-cum-R&B was undoubtedly an influence on Bill Haley, who saw them when both acts were playing summer shows in Wildwood, NJ. Haley wrote "Rock-A Beatin' Boogie" for the Treniers in 1953. But their version sank without a trace, while Haley's own 1955 version went to # 23.
The first OKeh single, "Go! Go! Go!", gave the Treniers their only national hit in 1951 (# 10 R&B). Like many early R&B pioneers, they were unable to find success in the rock n roll era, though they appeared in four rock & roll films : "Don't Knock the Rock", "The Girl Can't Help It" (both 1956), "Calypso Heat Wave" (1957)
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and "Juke Box Rhythm" (1959). But the group retained a strong following and became a mainstay of the Vegas circuit. In fact, the Treniers were one of the first black acts to perform in Las Vegas (as early as 1948), overcoming the segregation policies of the 1940s and 1950s. They performed at nearly every lounge in town.
When Jerry Lee Lewis embarked on his disastrous British tour in May 1958, guess who was his supporting act? The Treniers, who didn't offend anyone the way the Killer did. "After they threw him out, we had to continue with the tour", says Milt. "We did 31 one-nighters. First time we ever done one-nighters. Never did before, because we always did Miami Beach in the winter, Wildwood in the summer, go back to Vegas".
After OKeh / Epic they recorded for RCA / Vik (1956), Coral / Brunswick (1957-58), Hermitage (1958) and Dot (1959). Milt Trenier left the group in 1959 to do his own thing with a solo 45 for Dot, "I'm Gonna Catch Me A Rat" (later recorded by Gene Vincent). He went on to forge a successful career as a lounge singer. Nephew Skip Trenier was drafted into the Treniers as a replacement and they kept on rocking without so much as a pause. 
(Edited mainly from tims.blackcat.nl)