Asa "Ace" Harris* (April 1, 1910 – June 11, 1964) was an American jazz pianist, singer , arranger and band leader in the field of rhythm & blues and jazz.
Ace with the Sunset Royal Serenaders |
Ace with the Ink Spots |
Ace Harris' attractive, bluesy piano-playing graced a Hot Lips Page session in early 1944, following which he was asked to join the Erskine Hawkins band, along with his old pal Bobby Smith, and he quickly quelled, and indeed, mastered the ghost of the band's star pianist/arranger Avery Parrish who had left the band the year earlier. His boogie woogie piano and fine singing voice made him a natural for jump tunes like Caldonia (#2 1945), Let's Have Fun Tonight and Hawk's Boogie (#2 1947), and he remained with the Hawkins orchestra, recording for RCA Victor, until the summer of 1947.
Like many of the Hawkins alumni, Harris conducted his own solo recording career while still a member of the big band, and between 1945 and 1948 he recorded for New York City labels Hub and Sterling - including a cheeky tip-of-the-hat to Parrish with a new version of After Hours. He rejoined Hawkins' band in 1950 to record for Coral Records, reprising After Hours and providing Hawkins with his last r&b chart hit, Tennessee Waltz (#6 1950). Also recording with his friend Bobby Smith's offshoot unit for Apollo Records during this period, he left Hawkins again in 1951 when he struck his own recording contract with Teddy Reig at Coral, going on to record three sessions in 1951/52.
Disbanding his small working unit in 1953, he relocated to Chicago and began working as a solo singer/pianist at night clubs like The Cloister Inn. He enjoyed a one-off reunion with his brother-in-law Erskine Hawkins' band in 1955 to record a couple of singles for Decca, and the following year he was featured playing the title track of a King LP called After Hours, when the Cincinnati-based record company used his decade-old Hub recording for a compilation album. Also in 1956 he was featured on Mercury recordings by hot new tenor star Sil Austin - including the saxophonist's #3 r&b smash Slow Walk.
Ace Harris and Buddy Charles found themselves alternating as solo pianists in the Junior Room of the famous Black Orchid in Chicago. About two-third of their working time was spent in solo playing. The other third of their working time was spent playing duo-piano, while they overlapped in changing places. During this period they appeared to win more listeners and to generate more interest in their playing, with the result that a duo-piano team was born. Ace and Buddy found that they enjoyed twice the popularity and success that might have been expected as a result of their doubling on the ivories resulting in their recording “Zonky” on the Audio Fidelity label in 1957.
Ace Harris with his 2nd wife Kathlyn, East Coast 1963 |
Ace then sank into obscurity and died at the young age of 54 from a stroke in Chicago on 11th June 1964. His legacy is carried on by his daughter, also named Asa, who is a singer with the Gene Esposito Jazz Orchestra in Chicago and recording artist in her own right with a CD on the MaxJazz label.
(Edited from a bio by Dave Perry @ tims.blackcat.nl)
*(Not be confused with pianist Johnny “Ace” Harris (1928-2000) who for many years claimed to have been the Ace Harris in the Ink Spots; he wasn't.)