Debbie Taylor (born 23 June 1947) is a highly acclaimed but relatively obscure soul singer who released nine singles and an album during an eight-year period from 1967 to 1975, during the ‘golden days’ of soul music. Three of her 45s reached the R&B charts but, despite her obvious talent, she failed to make a significant impact in commercial terms and her name was soon forgotten by most.
After her mother signed a contract with Decca allowing her to record as Debbie Taylor, she began recording at the Royal Studio owned by Willie Mitchell in Memphis, Tennessee. Her first session in 1968 produced the tracks “I Get the Blues" and "The Last Laugh Is on The Blues” (Decca 32090), followed by "Check Yourself" / "Wait Until I'm Gone" (Decca 32259). Written by Isaac Hayes and David Porter, who produced an unreleased version of the song by Ruby Johnson, Taylor's version of "Check Yourself" reached #37 on the R&B chart in 1968. The song, "a haunting blues-flavoured ballad", featured an "emotive performance" by Taylor.
In March 1969 she started recording for the New York based GWP label started by Gerard Purcell, which ran its affairs from 150 East 52nd Street. Her first record, "Never Gonna Let Him Know" (GWP 501), launched the label and reached #18 on the national R&B chart and #86 on the pop chart. However, later releases on GWP were less commercially successful.
In 1972, she left the GWP label. Purcell teamed her with Terry Phillips and Boo Frazier at Perception Records, and they recorded her first album, Comin’ Down On You, produced by David Jordan, arranged by Patrick Adams, and issued by the Today label. Jordan also produced sessions with her backed by MFSB in Philadelphia, which included the single "I Have Learned To Do Without You", co-written by Jordan with J. J. Barnes and Don Davis, which was issued by Polydor Records in late 1973. However, commercial success still eluded her.
In 1975 she recorded "I Don’t Wanna Leave You" with Jordan in New York, with a full band and orchestra featuring Earl Van Dyke on keyboards. The recording was leased to Arista Records, and the single rose to #32 on the R&B chart and #100 on the pop chart at the end of 1975. The single was also released in the UK and Europe but in an inferior edited version. In later years, the song and its B-side, "Just Don't Pay", both written by Jordan, became popular on the Northern Soul scene in the UK. However, the relative failure of her career in the US, and her unwillingness to sign an exclusive deal with Arista, led Taylor to retire from the music business for several years.
After a short-lived marriage in the 1970s she was known privately as Maydie Miles. In the early 1980s she relocated to Stamford, Connecticut, where she joined a band called NiteSprite, a versatile, professional outfit that played clubs, weddings, and high profile corporate events. She worked as their lead vocalist for the next fifteen years. Her NiteSprite connections also got her into the jingles business, and she sang on quite a few, becoming the commercial voice for clients that included Diet Dr. Pepper, Ford, J.C. Penny, Johnson & Johnson, and The National Nurses' Association.
She moved to nearby Norwalk in 2003, where she was the featured vocalist on several dance tracks issued by K4B Records between 1994 and 1998. As Maydie Myles, she also performed with her band in local clubs, and recorded radio sessions, advertisements and jingles. At that time, it was not known publicly that she had previously recorded as Debbie Taylor; the whereabouts of Debbie Taylor were unknown.
In early 2011, Maydie Myles self-released a jazz CD, The Ones I Love, and revealed her earlier career as Debbie Taylor. This resulted in substantial new interest in her career, and a remixed version of "Just Don't Pay" was issued in the UK in late 2011. In November 2013, she performed a sell-out one-off show in the UK.
As of 2016 Maydie was still performing at Jazz festivals and local venues. (Edited from Wikipedia & The Hour.com)