Karen J. Dalton (July 19, 1937 – March 19, 1993) was an American folk blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death.
Dalton was born Jean Karen Cariker in Bonham, Texas, but was raised in Enid, Oklahoma. She also lived in Stillwater, Oklahoma and Lawrence, Kansas. Her heritage was half Cherokee and half Irish. With two divorces behind her at the age of 21, Dalton left Oklahoma and arrived in Greenwich Village, New York City in the early 1960s. She brought her twelve string guitar, long-neck banjo, and at least one of her two children with her. According to her daughter Abralyn Baird, at that point Dalton had lost two of her bottom teeth breaking up a fight between two of her boyfriends.
Dalton quickly became entrenched in the Greenwich Village folk musical scene of the 1960s. She played alongside big names of the time, including Bob Dylan (who occasionally backed her up on harmonica), Fred Neil, Richard Tucker, and Tim Hardin. She covered many of their songs in her own performances. She was among the first to sing Hardin's "Reason to Believe". She later married Tucker, with whom she sometimes played as a duo, and in a trio with Hardin.
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| Tim Hardin and Dalton |
Dalton was a regular at famous folk venue Café Wha? and performed at benefit concerts for civil rights groups. She was a reluctant performer and refused to perform her own songs. Combined with her use of alcohol and heroin, recording her music and touring was particularly hard. Dalton was "not interested in playing the music industry's games in an era when musicians had little other choice," as bass player and producer Harvey Brooks noted. She often responded in anger when producers attempted to change her music while recording.
At first, producer Nik Venet was unsuccessful in recording her first album, It's So Hard to Tell Who's Going to Love You the Best (Capitol, 1969). It wasn't until he invited Fred Neil to a session that they were able to come away with recordings. Even then, Venet and Neil were only successful by tricking Dalton into thinking the tape wasn't rolling. Dalton cut most of the tracks with one take, and all in one night. The record features songs from Neil, Hardin, Jelly Roll Morton, and Eddie Floyd & Booker T. Jones.
Dalton's second album, In My Own Time (1971), was recorded at Bearsville Studios (which was set up by Bob Dylan's manager, Albert Grossman) and originally released by Woodstock Festival promoter Michael Lang's label, Just Sunshine Records. The album was produced and arranged by Harvey Brooks, who played bass on it. Piano player Richard Bell guested on the album. Its liner notes were written by Fred Neil and its cover photos were taken by Elliott Landy. Dalton brought her two teenage children, her dog, and her horse from Oklahoma to feel more at ease with recording.
Dalton's bluesy, world-weary voice is often compared to jazz singer Billie Holiday, though Dalton loathed the comparison and said Bessie Smith was a greater influence. Dalton sang blues, folk, country, pop, Motown—making over each song in her own style. She played the twelve string guitar and a long-neck banjo. Known as "Sweet Mother K.D.", Dalton is said to be the subject of the song "Katie's Been Gone" on the album The Basement Tapes by The Band and Bob Dylan, who wrote of Dalton that "My favourite singer...was Karen Dalton. Karen had a voice like Billie Holiday and played guitar like Jimmy Reed... I sang with her a couple of times." Fred Neil once remarked, "She sure can sing the shit out of the blues."
Commercial failure of her album In My Own Time and her estrangement from her children contributed to further substance abuse later in Dalton's life.Dalton lived in rural Colorado with husband Richard Tucker and daughter Abralyn during some years in the 1960s, in a small mining cabin in Summerville. Eventually she moved back to New York via LA, and later to Woodstock. Her last resort was a mobile home located in a clearing off Eagle's Nest Road, outside the town of Hurley, near Woodstock, New York.
Friend Lacy J. Dalton helped send her to rehab in Texas in the early 1990s; a stay which only lasted a couple of days before she demanded to be taken back home to Woodstock again. She died there in March 1993 from an AIDS-related illness, aged 55. According to her friend Peter Walker, she had been living with the disease for over 8 years. (Edited from Wikipedia)