William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and "Lush Life".
Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough.
Strayhorn returned to Pittsburgh while still in grade school. He worked odd jobs to earn enough money to buy his first piano, and took lessons from Charlotte Enty Catlin. He attended Westinghouse High School, later attended by Erroll Garner and Ahmad Jamal. He played in the school band, and studied under Carl McVicker, who had also instructed jazz pianists Erroll Garner and Mary Lou Williams. In Pittsburgh, he studied classical music for a time at the Pittsburgh Music Institute, writing a high school musical, forming a musical trio that played daily on a local radio station, and, while still in his teens, composing (with lyrics) the songs "Life Is Lonely" (later renamed "Lush Life"), "My Little Brown Book", and "Something to Live For". By age 19, he was writing for a professional musical, Fantastic Rhythm.
Though classical music was Strayhorn's first love, his ambition to become a classical composer was foiled by the harsh reality of a black man trying to make it in the classical world, which at that time was almost completely white. Strayhorn was then introduced to the music of pianists like Art Tatum and Teddy Wilson at age 19. The artistic influence of these musicians guided him into the realm of jazz where he remained for the rest of his life. His first jazz exposure was in a combo called the Mad Hatters that played around Pittsburgh. Strayhorn's fellow students, guitarist Bill Esch and drummer Mickey Scrima, also influenced his transition to jazz, and he began writing arrangements for Buddy Malone's Pittsburgh dance band after 1937.
After seeing Duke Ellington play in Pittsburgh in 1933, Strayhorn met him in December 1938 after an Ellington performance there. He first explained, and then showed the band leader how he would have arranged one of Duke's own pieces. Ellington was impressed enough to invite other band members to hear Strayhorn. At the end of the visit, he arranged for Strayhorn to meet him when the band returned to New York. Strayhorn worked for Ellington for the next quarter century as an arranger, composer, occasional pianist and collaborator until his early death from cancer. As Ellington described him, "Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine."
Strayhorn's relationship with Ellington was always difficult to pin down: Strayhorn was a gifted composer and arranger who seemed to flourish in Duke's shadow. Ellington was arguably a father figure and the band was affectionately protective of the diminutive, mild-mannered, unselfish Strayhorn, nicknamed by the band "Strays", "Weely", and "Swee' Pea". Ellington may have taken advantage of him, but not in the mercenary way in which others had taken advantage of Ellington; instead, he used Strayhorn to complete his thoughts and introduce new musical ideas, while giving him the freedom to write on his own and enjoy at least some of the credit he deserved.
Shortly before going on his second European tour with his orchestra, from March to May 1939, Ellington announced to his sister Ruth and son Mercer Ellington that Strayhorn "is staying with us." Through Mercer, Strayhorn met his first partner, African American musician Aaron Bridgers, with whom Strayhorn lived until Bridgers moved to Paris in 1947. Strayhorn was openly gay. He participated in many civil rights causes. As a committed friend to Martin Luther King Jr., he arranged and conducted "King Fit the Battle of Alabama'" for the Ellington Orchestra in 1963 for the historical revue (and album) My People, dedicated to King.
In the 1950s, Strayhorn left his musical partner Duke Ellington for a few years to pursue a solo career of his own. He released a few solo albums and revues for the Copasetics (a New York show-business society), and took on theater productions with his friend Luther Henderson.
In 1964, Strayhorn was diagnosed with esophageal cancer, the disease that took his life in 1967. Strayhorn finally succumbed in the early morning on May 31, 1967, in the company of his partner, Bill Grove, not in Lena Horne's arms as has often been falsely reported. By her own account, she was touring in Europe when she received the news of Strayhorn's death. His ashes were scattered in the Hudson River by a gathering of his closest friends.
(Edited from Wikipedia)