James Anthony Bernard Little, known by his stage name Jimmy Justice (born 15 December 1939, Carshalton, Surrey, England), was an English pop singer.
Jimmy Justice probably did not realise his full potential because of a lack of original material and poor decision making. However, he had one of the richest sounding voices in the UK during the early ![]()
1960s- even if it failed to make him one of the richest singers. In fact, if you hadn't ever seen or heard of Jimmy Justice before, then his early recordings sounded more like those of an established black American than a young white Londoner. This illusion was reinforced by the choiceof material used for his record releases which were mostly remakes and covers of songs taken from US groups.
1960s- even if it failed to make him one of the richest singers. In fact, if you hadn't ever seen or heard of Jimmy Justice before, then his early recordings sounded more like those of an established black American than a young white Londoner. This illusion was reinforced by the choiceof material used for his record releases which were mostly remakes and covers of songs taken from US groups.Jim Little had struck up a chance friendship with two of the Checkmates, Dave and George Sweetman- Emile Ford's step-brothers, no less. The fact that he could sing soon came to the attention of Emile who encouraged Jimmy to form his own group and join the coffee bar circuit. Emile also suggested entering the ![]()
same talent competition that he had himself previously won. This led, as it had done for Emile, to an opportunity to record with the Pye record company and with Emile's help on production his first single "I Understand Just How You Feel" was released. This was credited to 'Jimmy Justice and Jury' although the backing musicians were really the Checkmates.
same talent competition that he had himself previously won. This led, as it had done for Emile, to an opportunity to record with the Pye record company and with Emile's help on production his first single "I Understand Just How You Feel" was released. This was credited to 'Jimmy Justice and Jury' although the backing musicians were really the Checkmates.Pye tried again with more singles and the pop wizard, Tony Hatch, was brought in to do the production. Jimmy's third release didn't quite reach the charts but did sell well and it's surprisingly easy to find a copy. This song was a cover of the Jarmels'"Little Bit Of Soap" and could be viewed now as a template for what was to come. Hatch chose the Drifters'"When My Little Girl Is Smiling" next- which on the face of it was a hopeless cause- being up against not only the original, but also another well made cover from the established British star, Craig Douglas. Nevertheless, the Justice version managed to share the honours of a #9 chart entry with the more experienced Craig.
The next release produced Jimmy's biggest UK success, "Ain't That Funny". It was a song that had been written by Les Vandyke and Justice was presumably lucky that the song had come to him rather than Eden Kane with whom the songwriter was closely associated
at the time. After this splendid original, it was back to the US group catalogue with "Spanish Harlem", which turned out to be Jimmy's final UK chart entry. Sadly, the choice of Jimmy's following material was really not good enough for the competitive UK market. He had a little more luck on continental Europe and in Scandinavia, where the B-sides of some of his releases proved popular- and probably should have previously been released at home as the A-sides. As a result of his disappointment in the UK, Jimmy spent the following years in Sweden. Because of ![]()
his general absence in UK at the time his records hit the charts, he was unable to capitalize fully on his popularity in his home country.
his general absence in UK at the time his records hit the charts, he was unable to capitalize fully on his popularity in his home country. Meanwhile, Kapp Records picked up "When My Little Girl Is Smiling" for distribution in the U.S., where it peaked at #127. His records were also popular throughout continental Europe and in Australia. Dave Kapp himself subsequently flew to London to oversee a session at which Jim cut a revival of Don't Let The Stars Get In Your Eyes for the US market. The track ultimately ended up as the first release on the Leiber/Stoller legendary Blue Cat label in the fall of 1964.
He lives in Purley with his wife Sally, and has two grown up children Elliott and Layla, who live nearby. (Info edited from Wikipedia & 45-rpm.org)