Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B, but his career was hampered by two incarcerations on drugs charges.
Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of ![]()
18, he went on the road with trumpeter King Kolax's band. In 1944 he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon.
18, he went on the road with trumpeter King Kolax's band. In 1944 he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Notable performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949 Ammons replaced Stan Getz as a member of Woody Herman's Second Herd, and then in 1950 formed a duet with Sonny Stitt.
Considered by many jazz historians and critics as the first bebop
![]()
big band, Eckstine's group was the training ground for some of the most important and progressive jazz musicians of the 1940s, 1950s, and 1960s, including Ammons, Parker, and Gordon, as well as Fats Navarro, Art Blakey, Miles Davis, Howard McGhee, and vocalist Sarah Vaughan.
Eckstine disbanded the group in 1947, and Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. He also played several dates as a member of Stitt's group. He led several different jazz combos until 1949, when he replaced Stan Getz in Woody Herman's Second Herd. After six months as a member of Herman's group, Ammons formed a quintet featuring Stitt.
The 1950s were a prolific period for Ammons and produced some acclaimed recordings such as "The Happy Blues" (1955). Musicians who played in his groups, apart from Stitt, included Donald Byrd, Jackie McLean, John Coltrane, Kenny Burrell, Mal ![]()
Waldron, Art Farmer, and Duke Jordan.
Waldron, Art Farmer, and Duke Jordan.In 1954 Ammons had moved to Washington, D.C., from Chicago and became increasingly dependent on heroin. He continued to perform and record, however, and led several all-star jazz musician recordings that were released as a Prestige series entitled Hi Fi Jam Sessions. "The Happy Blues," a 1955 recording featuring Freddie Redd and Lou Donaldson, is among the most acclaimed performances from this era. Other musicians who played in Ammons's bands of the 1950s include Donald Byrd, Jackie McLean, John Coltrane, Kenny Burrell, Mal Waldron, Art Farmer, and Duke Jordan.
His later career was interrupted by two prison sentences for narcotics possession, the first from 1958 to 1960, the second from 1962 to 1969. He recorded as a leader for Mercury (1947–1949), Aristocrat (1948–1950), Chess (1950–1951), Prestige (1950–1952), Decca (1952), and United (1952–1953). For the rest of his career, he was affiliated with Prestige. When he was released from prison in 1969, Ammons signed the largest contract ever offered at that time by Prestige Records. Upon his release he was diagnosed with an enlarged heart and ![]()
emphysema, but in spite of his health problems, he recorded a bulk of material for the label. That material included such ballads as "Long Long Time," which had been a popular recording by Linda Ronstadt; the Paul Anka-composed Frank Sinatra signature song "My Way"; an album of Nat "King" Cole songs; as well as the self-composed ballad "Didn't We" and the instrumental "Jungle Strut," which was later covered by the San Francisco rock band Santana.
emphysema, but in spite of his health problems, he recorded a bulk of material for the label. That material included such ballads as "Long Long Time," which had been a popular recording by Linda Ronstadt; the Paul Anka-composed Frank Sinatra signature song "My Way"; an album of Nat "King" Cole songs; as well as the self-composed ballad "Didn't We" and the instrumental "Jungle Strut," which was later covered by the San Francisco rock band Santana.
(Compiled and edited from Wikipedia and mainly from an article by Bruce Walker @ musiciansguide.com)
Jug blows on this Ellington evergreen at the Montreux Jazz Festival. Hampton Hawes - keyboards; Bob Cranshaw - bass; Kenny Clarke - dms; Kenneth Nash - congas.
Jug blows on this Ellington evergreen at the Montreux Jazz Festival. Hampton Hawes - keyboards; Bob Cranshaw - bass; Kenny Clarke - dms; Kenneth Nash - congas.