Isabelle Geneviève Marie Anne "France" Gall (9 October 1947 – 7 January 2018) was a French yé-yé singer. Although she was best known as the pretty, perky teenager who won the 1965 Eurovision Song Contest with her hit "Poupée de Cire, Poupée de Son," French pop singer France Gall had a much longer and more varied career than that, releasing solid records for decades. Although only a cult figure in most of the rest of the world, Gall was a major star and beloved figure in her native country.
Born Isabelle Gall in Paris on October 9, 1947, Gall was the daughter of French performer and producer Roger Gall, who had written songs for Édith Piaf and Charles Aznavour. In 1962, at the age of 15, Gall was ushered into the studio by her father to record her debut EP, Ne Sois Pas Si Bete. The four-track EP (the standard in French pop music at the time, and the format of most of her releases for the rest of the decade) was an enormous hit, selling 200,000 copies in France thanks both to the irresistible title track and the absolutely stunning cover photo. 
Though Gall's high, breathy voice was admittedly somewhat limited, she made the most of it. Even dopey hits like "Sacre Charlemagne," a duet with a pair of puppets who were the stars of a children's show on French TV, have an infectious, zesty charm; meatier tunes, like the sultry jazz-tinged ballad "Pense a Moi" and the brilliant rocker "Laisse Tomber les Filles," were as good as any single produced in the U.S. or Great Britain at the time.
Here's "Laisse Tomber les Filles," from above EP.
In 1966, Gall's public persona shifted into a more mature phase, both musically and personally. The change came with that year's controversial hit "Les Sucettes" and its follow-up, Baby Pop, are among Gall's finest, musically richer and more varied than her early hits, but every bit as catchy. (During this period of her career, Gall
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was signed not only to the French division of Philips, but to the German branch of the company, and also released several German-language EPs and albums, mixing translations of her Francophone hits and all-new material.)
The psychedelic era found Gall, under Gainsbourg's guidance, singing increasingly strange songs, like "Teenie Weenie Boppie" set to some of Gainsbourg's most out-there arrangements. The excellent 1968 is Gall's best album from this period, with "Teenie Weenie Boppie," the trippy "Nefertiti," and the slinky, jazzy "Bebe Requin."
Berger's middle-of-the-road soft rock style was slickly commercial and, for the most part, less inspired than Gall's '60s work, but although her material was by and large weaker, Gall became a much stronger and more technically adept singer during this era releasing albums like 1987's Babacar, 1984's Débranche!, and 1988's live Tour de France.Gall's life took a tragic turn in the '90s; Berger died of a heart attack at the age of 46 in 1992, and their daughter Pauline died of cystic fibrosis at the age of 19 in 1997. Gall announced her retirement after Berger's death, but after reconsidering, she restarted her career with 1996's France, a tender tribute to her partner and mentor. That same year, a new generation of listeners began discovering her work when Heavenly covered her Serge Gainsbourg-penned hit "Nous Ne Sommes Pas des Anges" on Operation Heavenly. France Gall died of cancer on January 7, 2018 at the age of 70.
(Edited mainly from Stewart Mason’s bio @ AllMusic)