Johnny Dunn (February 19, 1897 – August 20, 1937) was an American traditional jazz trumpeter and vaudeville performer.
Before Louis Armstrong arrived in New York in 1924, Johnny Dunn was considered the top cornetist in the city. His staccato style, double-time effects and utilization of wah-wah mutes gave him notoriety for a time.
Dunn had attended Fisk University in Nashville and had a solo act in Memphis before being discovered by W.C. Handy. He joined Handy's band in 1917 and during the next three years became known for his feature on "Sergeant Dunn's Bugle Call Blues" (which later became the basis for "Bugle Call Rag"). A pioneer with plunger mutes, Dunn's double-time breaks, with their inflexible and jerky rhythms, had a direct link to military bands.
He recorded with Mamie Smith in 1920-1921, leaving in the latter year to lead his own Original Jazz Hounds. From 1921-1923, the cornetist recorded frequently, both with his own group and backing singer Edith Wilson.
He joined Will Vodery's Plantation Orchestra in 1922, visiting Europe with the revue Dover to Dixie the following year. However, the Chicago musicians were much farther advanced than Dunn and once Louis Armstrong began influencing brassmen with his swinging, legato solos for Fletcher Henderson, Dunn was instantly out of date.
After visiting Europe again (this time with the Blackbirds of 1926 show), Dunn briefly led his own big band and then in 1928 made his finest recordings, four numbers with Jelly Roll Morton and two with both James P. Johnson and Fats Waller on pianos.
Strangely enough, he never recorded again, moving permanently to Europe, where he played with Noble Sissle in Paris, worked with his own group (the New Yorkers) mostly in Holland, and was largely forgotten before his early death. Dunn died of tuberculosis aged 40 in Paris, France in August 1937
Dunn was among the best of the musicians playing in the immediate pre-jazz years and he influenced many of his contemporaries. Overshadowed though he was by the arrival of Louis Armstrong, Dunn was still an able and gifted player, showing subtle power and using complex patterns that never descended into mere showmanship. His stylistic roots became outmoded during the 30s but his decision to remain in Europe and his early death meant that his reputation never suffered, except, perhaps, by neglect, and today he can be recognized as having been a highly accomplished trumpeter.
(Edited from Wikipedia All About Jazz & AllMusic)
Alto saxophonist Lex van Spall and drummer Bobby 't Sas led a band called "The Chocolate Kiddies" in Holland in the early 1930's. For this film they had guest artists Johnny Dunn, the famous American trumpeter and trombonist Jake Green who also recorded with Bessie Smith. The tenor saxophonist is Jascha Trabsky who later had a famous record shop in The Hague.
Alto saxophonist Lex van Spall and drummer Bobby 't Sas led a band called "The Chocolate Kiddies" in Holland in the early 1930's. For this film they had guest artists Johnny Dunn, the famous American trumpeter and trombonist Jake Green who also recorded with Bessie Smith. The tenor saxophonist is Jascha Trabsky who later had a famous record shop in The Hague.